ketan was first to go.
KETAN
4:33 - 5:14 pm
- "revelation after revelation"
- subtle revelations
- "washes by": "slow but progressive"
- up: companionship/ collaboration (validation of existence, his life)
- down: loneliness, alone, contemplative, introverted
- 3 different scenes
- erase, draw/write again -> erase again
- talking to someone
- sees pigeon (example of third possible "up")
- "one heartbeat." like a steady pulse
- "it's a struggle against time"
- down: "he doesn't care"
- up: "he sees everything for what it is"
- last up:
- andy: bag breaks
- ketan: headphones get caught on something
- a: disturbance of my flow
- k: without headphones, i'm thrown off pace
- a: i notice the ground
__________________________
ANDY
5:14 pm - 5:57 pm
- "no point"; simple animation
- want to animate song
- photo, drags, fade into "nowhere"
- sketches of strip reveal themselves to HIM
- run and slow down
- SHE emerges out of a puddle of blood, stabbing HIM in the heart
- the pain transforms HIM
- lost boy
why is there a puddle of blood? why does he stop next to it?
is HE undermining physical pain in order to temporarily forget and hide from the emotional kind?
jon: "a museum of memories"
might include frame around the flashes of comic strip, which are actually memories of a past relationship.
the photo HE is looking at in the beginning should appear as one of the images in the memory flashes so that a clear, if not blatant, connection is shown between the scenes.
the setting is not a forest, but rather blank white space. however, this is still to be finalized.
instead of music, use minimal sounds. like in samurai jack, the wishing well, 3 archers episode.
"with great power comes great responsibility"
andy will start on concept art and storyboard.
summary: "moment of inspiration"
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